Why am I watching Babylon A.D. (2008) in 2017? Because we just changed out cable plan from one scam to a new scam where we have ALL THE CHANNELS! I literally feel compelled to watch all the movies. It’s an urge I’ve only ever felt in times when my body wants to nap or my eyes see passed appetizers or deserts.
Upon seeing a Vin Diesel movie that was also about my favorite subject I squealed a bit then got comfortable.
In a post-apocalyptic wasteland, a battle-hardened mercenary, Toorop (Vin Diesel), lives by his own code and the credo kill or be killed. His latest assignment is to escort a young woman named Aurora (Mélanie Thierry) and her guardian, Sister Rebeka (Michelle Yeoh), from Kazakhstan to New York. Facing danger at each turn, Toorop begins to realize that Aurora represents the last hope for mankind’s survival.
In the first few minutes, Vin Diesel does his best Vin Diesel. He grumbles and smirks and explains to someone with a gun pointed at him that as one sided as this situation may seem, it won’t end well for the guy with the (presumed) upper hand. It’s at this point where you either commit to Vin Diesel in an Apocalyptic Wasteland: The Film or bail because you’ve already seen this movie but with cars or secret agents doing X-games sports.
I took a moment to count my blessings then hunkered down for Vin Diesel the mercenary in the not too distant future. His name is Toorop and for a long time, it’s neither clear nor important if that’s his first or last name.
Toorop is hired to transport a girl to America—a country he’s been barred from entering in (this movie is heavy-handed when it comes to exposition in dialogue). The girl is a weirdo who grew up in a remote convent isolated from the rest of the world with a lady-Monk as her guardian.
The Monk, like all Monks apparently, is skilled at hand to hand combat and unphased but everything and anything she encounters. The girl, on the other hand, seems to be a toddler in the body of a twenty-year-old. She literally wanders off every chance she gets, trusts strangers, and asks every single question that enters her mind.
At one point, it’s clear there are two factions who are fighting to get the girl away from Vin Diesel and company but not at all clear why. Also not clear is why Toorop doesn’t take the millions of dollars he’s offered to let someone else finish this job he was basically blackmailed and strong-armed into taking. Honor?
Babylon A.D. doesn’t quite explore the current landscape or how it became the way it is. The movie is a series of fight scenes, explosions, quick get-aways, sexy stares, and pseudo-religious references with a capitalist and futuristic twist. But if you saw the cover art you already knew that. Therefore, if you saw the cover art and pressed play, you will not be disappointed.